[Eng — Sub] “BEASTARS” Series 2 Ep 1 | Anime (2021) Full — Episodes
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🎥 BEASTARS 2x1 English Subtitles, TV Show & Movies
📥 Link Vidio » ☞[ https://t.co/ZYEoKSaf93?amp=1]
Info Anime
Title : BEASTARS
First Air Date : Oct 10, 2019
Last Air Date : Dec 26, 2019
Number of Episodes : 23
Number of Seasons : 2
Genres : Animation, Drama
Networks : Fuji TV
Casts :
Alternative Titles : ビースターズ
The story takes place in a world of civilized anthropomorphic animals with a cultural divide between the carnivores and herbivores. The series takes its name from the in-universe rank of Beastar, an individual of great talent, service, and notoriety. Legosi, a large gray wolf, is a timid and quiet student of Cherryton School where he lives in a dorm with several other carnivorous students including his outgoing Labrador friend, Jack. As a member of the school’s drama club, Legosi works as a stagehand and supports the actors of the club headed by the star pupil Louis, a red deer. Out of nowhere, Tem the alpaca is brutally murdered and devoured in the night setting a wave of unease and distrust between the herbivore and carnivore students. At the same time, Legosi has a fateful encounter with Haru, a small dwarf rabbit, and begins developing complex feelings for her.
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TELEVISION SHOW AND HISTORY
💦 Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects.
Traditionally, films were recorded onto celluloid film stock through a photochemical process and then shown through a movie projector onto a large screen. Contemporary films are often fully digital through the entire process of production, distribution, and exhibition, while films recorded in a photochemical form traditionally included an analogous optical soundtrack (a graphic recording of the spoken words, music and other sounds that accompany the images which runs along a portion of the film exclusively reserved for it, and is not projected).
Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating — or indoctrinating — citizens. The visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions through the use of dubbing or subtitles to translate the dialog into other languages.
The individual images that make up a film are called frames. In the projection of traditional celluloid films, a rotating shutter causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after its source disappears. The perception of motion is partly due to a psychological effect called the phi phenomenon.
The name “film” originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In early years, the word sheet was sometimes used instead of screen.
💦Terminology💦
The terminology used for describing motion pictures varies considerably between British and American English. In British usage, the name of the medium is “film”. The word “movie” is understood but seldom used.[1][8] Additionally, “the pictures” (plural) is used semi-frequently to refer to the place where movies are exhibited, while in American English this may be called “the movies”, but it is becoming outdated. In other countries, the place where movies are exhibited may be called a cinema or movie theatre. By contrast, in the United States, “movie” is the predominant form. Although the words “film” and “movie” are sometimes used interchangeably, “film” is more often used when considering artistic, theoretical, or technical aspects. The term “movies” more often refers to entertainment or commercial aspects, as where to go for fun evening on a date. For example, a book titled “How to Understand a Film” would probably be about the aesthetics or theory of film, while a book entitled “Let’s Go to the Movies” would probably be about the history of entertaining movies and blockbusters.
Further terminology is used to distinguish various forms and media used in the film industry. “Motion pictures” and “moving pictures” are frequently used terms for film and movie productions specifically intended for theatrical exhibition, such as, for instance, Batman. “DVD” and “videotape” are video formats that can reproduce a photochemical film. A reproduction based on such is called a “transfer.” After the advent of theatrical film as an industry, the television industry began using videotape as a recording medium. For many decades, tape was solely an analog medium onto which moving images could be either recorded or transferred. “Film” and “filming” refer to the photochemical medium that chemically records a visual image and the act of recording respectively. However, the act of shooting images with other visual media, such as with a digital camera, is still called “filming” and the resulting works often called “films” as interchangeable to “movies,” despite not being shot on film. “Silent films” need not be utterly silent, but are films and movies without an audible dialogue, including those that have a musical accompaniment. The word, “Talkies,” refers to the earliest sound films created to have audible dialogue recorded for playback along with the film, regardless of a musical accompaniment. “Cinema” either broadly encompasses both films and movies, or it is roughly synonymous with film and theatrical exhibition, and both are capitalized when referring to a category of art. The “silver screen” refers to the projection screen used to exhibit films and, by extension, is also used as a metonym for the entire film industry.
“Widescreen” refers to a larger width to height in the frame, compared to earlier historic aspect ratios.[9] A “feature-length film”, or “feature film”, is of a conventional full length, usually 60 minutes or more, and can commercially stand by itself without other films in a ticketed screening.[10] A “short” is a film that is not as long as a feature-length film, often screened with other shorts, or preceding a feature-length film. An “independent” is a film made outside the conventional film industry.
In US usage, one talks of a “screening” or “projection” of a movie or video on a screen at a public or private “theater.” In British English, a “film showing” happens at a cinema (never a “theatre”, which is a different medium and place altogether).[8] A cinema usually refers to an arena designed specifically to exhibit films, where the screen is affixed to a wall, while a theater usually refers to a place where live, non-recorded action or combination thereof occurs from a podium or other type of stage, including the amphitheater. Theaters can still screen movies in them, though the theater would be retrofitted to do so. One might propose “going to the cinema” when referring to the activity, or sometimes “to the pictures” in British English, whereas the US expression is usually “going to the movies.” A cinema usually shows a mass-marketed movie using a front-projection screen process with either a film projector or, more recently, with a digital projector. But, cinemas may also show theatrical movies from their home video transfers that include Blu-ray Disc, DVD, and videocassette when they possess sufficient projection quality or based upon need, such as movies that exist only in their transferred state, which may be due to the loss or deterioration of the film master and prints from which the movie originally existed. Due to the advent of digital film production and distribution, physical film might be absent entirely. A “double feature” is a screening of two independently marketed, stand-alone feature films. A “viewing” is a watching of a film. “Sales” and “at the box office” refer to tickets sold at a theater, or more currently, rights sold for individual showings. A “release” is the distribution and often simultaneous screening of a film. A “preview” is a screening in advance of the main release.
Any film may also have a “sequel”, which portrays events following those in the film. Bride of Frankenstein is an early example. When there are more films than one with the same characters, story arcs, or subject themes, these movies become a “series,” such as the James Bond series. And, existing outside a specific story timeline usually, does not exclude a film from being part of a series. A film that portrays events occurring earlier in a timeline with those in another film, but is released after that film, is sometimes called a “prequel,” an example being Butch and Sundance: The Early Days.
The “credits,” or “end credits,” is a list that gives credit to the people involved in the production of a film. Films from before the 1910s usually start a film with credits, often ending with only a title card, saying “The End” or some equivalent, often an equivalent that depends on the language of the production[citation needed]. From then onward, a film’s credits usually appear at the end of most films. However, films with credits that end a film often repeat some credits at or near the start of a film and therefore appear twice, such as that film’s acting leads, while less frequently some appearing near or at the beginning only appear there, not at the end, which often happens to the director’s credit. The credits appearing at or near the beginning of a film are usually called “titles” or “beginning titles.” A post-credits scene is a scene shown after the end of the credits. Ferris Bueller’s Day Off has a post-credit scene in which Ferris tells the audience that the film is over and they should go home.
A film’s “cast” refers to a collection of the actors and actresses who appear, or “star,” in a film. A star is an actor or actress, often a popular one, and in many cases, a celebrity who plays a central character in a film. Occasionally the word can also be used to refer to the fame of other members of the crew, such as a director or other personality, such as Martin Scorsese. A “crew” is usually interpreted as the people involved in a film’s physical construction outside cast participation, and it could include directors, film editors, photographers, grips, gaffers, set decorators, prop masters, and costume designers. A person can both be part of a film’s cast and crew, such as Woody Allen, who directed and starred in Take the Money and Run.
A “film goer,” “movie goer,” or “film buff” is a person who likes or often attends films and movies, and any of these, though more often the latter, could also see oneself as a student to films and movies or the filmic process. Intense interest in films, film theory, and film criticism, is known as cinephilia. A film enthusiast is known as a cinephile or cineaste.
💦 FORMATS AND GENRES 💦
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.
In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
💦 FINAL THOUGHTS 💦
The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.
💦 CREDITS 💦
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